Program 54

Cultural Memory and Trauma: Literary and Visual Representations

Wednesday, April 24, 2019

Registration Opens 8:30

Location: Anatol Center Patio

Coffee & Breakfast

 

Session I—9:30-10:45

Panel 1: Bertolt Brecht and the Scars of Modernity

Location: AS 384

Moderator: Taylor Espinosa, ӰState University, Long Beach

“Voicelessness and Silencing of Women in Brecht’s Works”

Liane Sponberg, ӰState University, Long Beach

“Praxis and Performance: Mother Courage and her Cafeteria”

Chris Anthony, ӰState University, Long Beach

“The Creative Afterlife of Brecht’s Poem ‘Praise of Communism’”

Robert Blankenship, ӰState University, Long Beach

“The Brechtian Socrates: Herr Keuner’s Approach to a Traumatized Society”

Luke Beller, ӰState University, Long Beach

 

Panel 2: A dramatic reading of Aristophanes’ Clouds

Location: Anatol Center

Moderators: Kathryn Chew and Mik Larsen, ӰState University, Long Beach

Dramatis personae:

Strepsiades—Lauren Hamilton

Pheidippides—Elizabeth Pavlath

Xanthias—Lara Andreina Kuehne

Student—Caitlin Fisher

Socrates—Gillian Duane

Better Argument—Hailey Lane

Worse Argument—Wendy Rosales

Pasias—Lizbeth Jardon

Witness / Chorus Leader—Moc Le Nguyen

Amynias—Pedro Garcia Jiminez

 

Session II—11-12:15

Panel 3: War and Suffering

Location: Anatol Center

Moderator: Letitia Deon, ӰState University, Long Beach

“From Desolation to Reconciliation: A Petal (1996) and Spirits’ Homecoming&Բ;(2016)”

Sung-Ae Lee, Macquarie University

“Trauma and Embodied Memories in A Gesture Life

Shu-ching Chen, National Chung Hsing University

“ĘFor her heroes are flying’: New Representations of Combat Trauma in Israel”

Rakefet Zalashik, University of Edinburgh

Asher Salah, Bezalel Academy of Arts and Design, Jerusalem

 

Session III—12:30-1:45

Panel 4: Remembering the Holocaust

Location: MHB 315

Moderator: Levon Parseghian, ӰState University, Long Beach

“Buried Words: Exploring Sexual Violence in Holocaust Survivor Narrative”

Jody Spiegel, The Azrieli Foundation

“ĘLaying Ghosts to Rest?’: Effectuating the Demand of Witnessing Through Spectrality and the Metaphor of the Musselmann

Alex Williams, University of Amsterdam

“ĘAuschwitz is Not a Zionist Myth’: Translating and Transmitting the Holocaust in Spain, 1960-1970”

Paul H. Cahill, Pomona College

“Twice Removed from Trauma: Third-generation Jewish American Holocaust Writings”

Tiasa Bal, Indian Institute of Technology Kanpur

 

Panel 5: Trauma and Memory

Location: LA1-305

Moderator: Jessica Brooks, ӰState University, Long Beach

“The Materiality of Mourning: Physicality, Translation, and the Problem of Catullus in Anne Carson’s Nox

Olivia Ingram, Simon Fraser University

Damnatio Memoriae and its effect on Roman literature, history, and architecture”

Elizabeth Pavlath, ӰState University, Long Beach

“Conjuring the Nazi: The Performance of Spectral Memory in Collier Schorr’s Forests and Fields

Stacy Schwartz, University of California, Santa Cruz

“West Coast, Nest Coast: The Car as Vehicle for Constructing a Memory of Belonging”

Farzana Waseeq, University of Oxford

 

Session IV—2-3:15

Panel 6: “World History is Judgement Day”: 18th-Century Universal History and Memory Theory

Location: MHB 315

Moderator: Dionne Agawu, ӰState University, Long Beach

“Popular Memory of the Dutch War of Liberation and the Thirty Years War: Universal History in the dramatic works of Schiller and Kleist”

Jeffry L. High, ӰState University, Long Beach

“ĘIn earlier times—long since passed’: The idealization of the Middle Ages in Dueling Versions of Das Käthchen von Heilbronn

Glen Gray, ӰState University, Long Beach

“Blood Libel, Trauma, and Collective Jewish Memory in Heinrich Heine’s ‘The Rabbi of Bacherach’”

Lisa Beesley, ӰState University, Long Beach

“Universal History and Recasting Memory: Franklin and Beaumarchais in Feuchtwanger’s Novel Proud Destiny

Natalie Martz, ӰState University, Long Beach

 

Session V—3:30-4:45

Panel 7: The Trauma of Translation

Location: MHB 315

Moderator: Clorinda Donato, ӰState University, Long Beach

“The Translator’s Rendering of Momo’s Voice in La Vie Devant Soi

Tyler McMullen, ӰState University, Long Beach

“A Sherlock Holmes Analysis”

Ame Chang, ӰState University, Long Beach

“Differing Feminist Translation Strategies in Sibilla Aleramo’s Una Donna

Breanna Campos, ӰState University, Long Beach

“The Silence of Translation”

Sherida Hendrix, ӰState University, Long Beach

 

Session VI—5-6:15

Panel 8: Traumatic Memory

Location: MHB 315

Moderator: Kelsey Devoe, ӰState University, Long Beach

“Recreating the Present from the Past: the Consciousness of History and the Role of Memory in Selected Nigerian War Poetry”

Charles Akwen, University of Lagos

“Trauma, Cultural Memory, and Self-Forgiveness: Confronting Complicity in Zakes Mda’s Ways of Dying

Dylan Winchock, ӰState University, San Marcos

“From Bearing to Burying: Embodied Memories of Darfur Genocide in the Poetry of Emtithal Mahmoud”

Mayy ElHayawi, Ain Shams University

“The Model Missionary:  Authorial prescriptions for healing colonial wounds in the works of Achebe, Ngugi wa Thiong’o, and Kingsolver”

Abby Yost, Prescott College

 

Thursday, April 25, 2019

Registration Opens 8:30

Location: Anatol Center Patio

Coffee and Breakfast

Session VII—9:30-10:45

Panel 9: What I Brought in My Luggage: Relics of Lost Lives

Location: Anatol Center

Moderator: Sophia Pandya, ӰState University, Long Beach

A panel of recent Muslim refugees from Turkey share their experiences. The art exhibit accompanying this panel will be on display in the Anatol Center throughout the Conference.

 

Panel 10: Nostalgia and Memory

Location: AS 384

Moderator: Christopher Shaw, ӰState University, Long Beach

“Cultural Memory and Trauma: Embodying the History of Post-Communism”

Albena Vassileva, Brooklyn College, CUNY

“Tending to the Past: Preserving Cultural Memory in Oman”

Kirsten Hemmy, Sultan Qaboos University

“Narrating and Promoting the Culture and Memory of Sacred Defense”

Annie Tracy Samuel, The University of Tennessee at Chattanooga

“Seeing/Knowing: Tensions of Memory and the Impacts of Witnessing in Hrair Sarkissian’s Execution Squares

Lauren Howard, University of Ottawa

 

Session VIII—11-12:30

Panel 11: Cultural Studies and Global Perspectives on Trauma and Memory

Location: MHB 315

Moderator: Vlatka Velcic, ӰState University, Long Beach

“Memory and Trauma in Exeter Book of Elegies”

Cory Spencer, ӰState University, Long Beach

“Gazing at the Camanchaca: An Analysis of Manifestations of Trauma”

Nancy Navarro, ӰState University, Long Beach

“From Mother to Daughter: How Sarah Kay Addresses Trauma and Healing in ‘B: If I Should Have a Daughter’”

Joelle Sabater, ӰState University, Long Beach

“Perfect Blue and the Trauma of Celebrity”

Isaac Garland, ӰState University, Long Beach

“Memories of Postcolonial Trauma in Mohsin Hamid’s Exist West

Cameron Mayer, ӰState University, Long Beach

 

Panel 12: Music and Memory

Location: Anatol Center

Moderator: Amy Desuza-Riehm, ӰState University, Long Beach

“Ballads as Vessels for Collective Cultural Memory: A Critical Comparison of Noyes’s ‘The Highwayman’ and Lorca’s ‘Romance sonámbulo’”

Maria Fellie, Pennsylvania State University

Hora: ‘Voices from the Ancient Past’”

Amir Sharifi, ӰState University, Long Beach

Ali Ashouri, ӰState University, San Diego

“ĘThat’s on the Dead Homies’: Soundscaping Black (Male) Trauma Through Los Angeles Based Hip Hop”

Kevin P. Morris, Syracuse University

“Reincorporating Holocaust Memory in the Soviet ‘Great Patriotic War’ Narrative with Music”

Alexandra Birch, United States Holocaust Memorial Museum

 

Session IX—12:30-1:45

Poetry Recitation / Declamation

Open to all! Come share your favorite poem (or section thereof) in the original language or in translation.

Location: Anatol Center Patio

Organizer/Moderator: Elizabeth Dahab, ӰState University, Long Beach

 

Session X—2-3:15

Plenary Speaker

Valerie Orlando, University of Maryland, College Park

“The Trauma of Mediterranean Crossings When a ‘Global Subject’ Is Not One: Depictions of Race and Immigration in Algerian Cinema”

Moderator: Elizabeth Dahab, ӰState University, Long Beach

Location: Anatol Center

 

Session XI—3:30-4:45

Panel 13: Comedy and Trauma

Location: AS 385

Moderator: Katherine McLoone, ӰState University, Long Beach

“Felicité Fétiche: Reading Against Flaubert in Un Coeur Simple

Jack Doty, ӰState University, Long Beach

“Let the Spirit Catch You and Rise Up: An Intersectional Analysis of Race, Class and Gender in the Medical Humanities”

Dejah Rodríguez, ӰState University, Long Beach

“Coping with Trauma Through Comedy, Empathy, and Agency in Deadpool 2: The Emancipatory Function of Subversive Praxis in Public Memory”

Carol Zitzer-Comfort, ӰState University, Long Beach

José I. Rodríguez, ӰState University, Long Beach

 

Panel 14: Postcolonial Trauma

Location: Anatol Center

Moderator: Pravina Cooper, ӰState University, Long Beach

“Allen Brooks and Emmett Till: The Second-Hand Consumption of Traumatic Imagery in the Press”

Meghan Jordan, George Eastman Museum

“A Fairytale of Chaos: Deconstructing Toni Morrison’s Sula

Carter Elwood, ӰState University, Long Beach

“ĘSomething I feel so shamed about still’: Postcolonial Trauma in Austin Clarke’s The Polished Hoe

Judith Broome, William Paterson University

“Unlearning Patriarchy: Faulkner’s Absalom, Absalom! and Oe’s Death by Water as Therapy”

Cate Rivers, North Carolina State University

 

Session XII—5-6:15

Panel 15: Holocaust and Trauma

Location: Anatol Center

Moderator: Sophia Avants, ӰState University, Long Beach

“The Jewish Holocaust: A Dystopia Within the Conjurings of a Utopia”

Viviana De La Rosa, School of the Art Institute at Chicago

“Narrative, Structure, Genealogy: The Goldhagen Controversy in Historiography of the Holocaust”

Jungmin Kim, Independent Scholar

“The Birth and Rebirth of the Story: The Transmission of Traumatic Content in Literature and Psychoanalysis”

Dana Prop, The Bar-Ilan University

 

Panel 16: Literary Memory

Location: MHB 315    

Moderator: Katherine McLoone, ӰState University, Long Beach

“Chile and the Theatricalities of Memory”

Alicia Del Campo, ӰState University, Long Beach

“The hybrid ritual of cleansing in Rosa Cuchillos

Melissa Parra, ӰState University, Long Beach

“Memory, Trauma, and Poetic Voice in the Work of Jenny Erpenbeck”

Doris McGonagill, Utah State University